|
|
|
The meeting featured Al Geller demonstrating techniques for making thin natural-edge bowls. |
|
|
|
Al discussed the many myths of woodturning. |
|
|
|
Paul Calcaterra took his turn introducing himself and fielding one of Al's woodturning questions. |
|
|
|
Al suggested sticking to the simpler bowl forms. |
|
|
|
He showed how figure orientation affects the appearance of the bowl. |
|
|
|
|
Preparing the bowl blank to be turned between centers using a spur drive. |
|
|
|
Showing how to approach the entry cut on the natural edge using a gouge. |
|
|
|
Forming the basic contour. |
|
|
|
Side view of roughed out blank. |
|
|
|
Finishing the outside shape. |
|
|
|
|
"Too thin" is when the front starts to meet the back, as demonstrated with this piece. |
|
|
|
Showing the entry cut on the edge on the inside surface. |
|
|
|
A curved tool rest can help get closer to the bottom. |
|
|
|
Shaping the bottom with a blunt angle gouge. |
|
|
|
Al used a convex blank in the headstock together with tailstock to hold the piece while shaping the foot. |
|
|
|
|
Final cuts on the foot. |
|
|
|
Sketch of how the tenon is carved away to form the final foot. |
|
|
|
Show-n-tell: Ron Lindsay showed the She-Oak and Canary Island Pine bowls in the upper right. Warren Brown did the avocado crotch piece on the center right. |
|
|
|
Warren also showed his large Olive Ash bowl featuring carved feet. |
|
|
|
Jim Rinde brought several pieces, but we feature his fervent female form fetish in Camphor wood. |
|
|
|
|
Gary Toro also showed several nice pieces. Here is hollow form using some of the She-Oak he provided the club. |
|
|
|
Dave Staeheli showed pieces from Mountain Mahogany and Red Gum. He also created a unique candlestick holder using Walnut. |
|
|